Columnist Matthew Moyer takes a look at the work of the late Rozz Williams, front man for Christian Death, as well as a pivotal figure in the American gothic and dark alternative genres.
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Can I get all self-referential for a minute? During an American Library Association conference in Chicago a couple of years back, I stumbled into a Casiotone for the Painfully Alone concert and was mesmerized by Owen Ashworth’s onstage channeling of both Morrissey and Kraftwerk, surrounded by a table full of cheap keyboards and effects pedals. [...]